Floater Frame

Antique Gold floater, 6–8 mm gap
Matt Black floater, 6–8 mm gap
Natural floater, 6–8 mm gap
Walnut floater, 6–8 mm gap

A floater frame holds the canvas from behind. The picture sits inside the frame rather than under its lip, so a narrow shadow gap runs all the way round and the canvas seems to float in the opening. Nothing covers the edge of the picture, and there is no glass in front of it.

Moulding Polystyrene, light on the wall
Face 10 mm
Gap 6–8 mm, all round
Depth 35 mm
Stretcher inside Solid pine, 25 mm

The numbers are the same for every finish. Choosing a finish is a choice of colour only.

The four finishes

Corner of a natural floater frame, close up

Natural

10 mm face · 6–8 mm gap · 35 mm depth

A pale, light wood-tone finish. It reads as a border rather than a frame, which suits a picture that already carries a lot of colour.

Corner of a antique gold floater frame, close up

Antique gold

10 mm face · 6–8 mm gap · 35 mm depth

A warm, softened gold rather than a bright gilt. It picks up ochres and reds, and of the four it looks the most formal from across a room.

Corner of a walnut floater frame, close up

Walnut

10 mm face · 6–8 mm gap · 35 mm depth

A deep brown wood-tone finish. It sits easily beside teak and sheesham furniture without trying to match it, and gives weight to a lighter picture.

Corner of a matt black floater frame, close up

Matt black

10 mm face · 6–8 mm gap · 35 mm depth

Flat, not glossy, so it does not throw light back. The quietest of the four: it draws a clean edge round the picture and steps out of the way.

What the back looks like

Sawtooth hanger screwed to the pine stretcher bar

The sawtooth hanger is fitted before the canvas is packed. One screw or picture hook and it is up.

Corner of the pine stretcher seen from behind, canvas stapled under tension

The canvas is stapled under tension behind the pine bar, so the face stays flat and even.

Prefer no frame? See the wrapped canvas. For sizes, see the size guide.